Delayed again 11



The summer is coming, but the game is not. It has to be delayed until tomorrow. Sorry about that. Since the last post, I’ve finished a few more sprites and refined the game document a bit.



To make up for it, I’d like to talk a bit about Sega-16. It is a great site dedicated to the Sega Mega Drive/Genesis, and more recently also the Master System and the Game Gear. The site has hundreds of reviews and features about the console(s). They are mostly highly informative, especially the many interviews with developers from back in the day.

But perhaps the best part of the site is the forum, where I’ve been a regular for over 10 years. The members have a lot of knowledge which they gladly share in the discussions. There are some heated debates every now and then as well, and I find it quite amusing to read some insults. Nobody is perfect anyway – some people are dumb, some people insult dumb people and then there is me who laughs at jnsults.

Actually, it was thanks to Sega-16 I became a video game developer. Because I was a writer on the site for a few years. Some of these texts probably need to be revised or removed entirely as my writing skills were quite limited back then, but that’s a matter for another day.

Sometime in the last decade, a guy called Fonzie Voltnov showed up on the forum and talked about his then upcoming Mega Cart, a cartridge which makes the Mega-CD region free. I thought it was a Nigeria letter, but later Fonzie proved to be more than a Nigerian prince.  I bought the Mega Cart and still use it to this day whenever I need to play an import game on my Mega-CD. Fonzie came back to the forum disappointed with having no reviews of the thing seen. That made me write one, and I also made an interview with him. In this interview, Fonzie mentioned Tavern RPG, the project which would later become Pier Solar and the Great Architects. A member of the forum, 108 Stars (also known as Daniel), saw this and contacted Fonzie. He became a graphics artist of the team. The team struggled with the project, and needed more members. As he knew me, he suggested I should interview the team like I had interviewed Fonzie. So I did. And not much later, the team still needed more members (they always needed), so Daniel approached me and asked me to join the team too.
So I did that too, and I stayed with it until the game was released. I’ve since also worked on several other projects for WaterMelon, as the team later got named into. Maybe I’ll talk about them in another post, another day.

I haven’t written anything for Sega-16 since last year, maybe I should do that too. But that would delay the game project even more!


Take care,






Delayed again 10


Due to being at the half hour interview for the video game education I am applying to, the game has to be delayed until tomorrow. But at least the interview went well!


In addition to the interview at Futuregames, I also got called for another interview for another video game education – The Game Assembly in Malmö. That’s a bit far away, I’ll ask for a Skype interview. For that education, I made a test, which consisted of designing a Zelda III dungeon, using the Tiled program I mentioned before. Here it is:


The first floor mainly introduces the player to various elements of the dungeon. It is straight ahead and the player doesn’t need to look for stuff with effort. The player can find keys, push blocks and find buttons to press in a closed environment which lets the player realize this easily, as there is pretty much nothing else to do there.


The second floor ups the ante a bit, with a non-linear design, and some minimal puzzles, as well as tougher enemies to tackle. To find the key to the door at the bottom left, the player will get a hint outside it – the bottom right block is a light. In the other room, the player can push the corresponding block to find the key to the door. In the second room, the player has to defeat all the enemies to open the door. And in the third room, the player has to also defeat enemies, push blocks and buttons to get ahead. It is all the next step after the last floor and a bit harder to give the player some challenge.


The last room is the boss room. Here, I had two ideas. The player cannot harm the boss by the sword, so by pushing the buttons, the player can instead move the spike thing to harm the boss with. The upper button moves the spike thing up and vice versa.

The other idea is that the buttons put pots on the darker blue spots, as well as maybe one or two minor enemies. The player can then attack the boss with the pot.


Seeing as I got to the interview process for this dungeon design (as well as my portfolio and CV), I think they liked it.


In other news, I realize I’ve actually worked on The Viking & The Ninja project for over a year now. And since starting drawing sometime last autumn, I’ve completed around half of the non-animated graphics. The last few days, I completed a cutscene and a sprite, and now I work on more sprites for the dungeons (treasure chests, stairs etc.) Let’s celebrate with a sprite!


Fish for blog.png


Also, the entire team (which is me), would like to thank Tommy for becoming the first follower of this blog! Thanks, Tommy!


That’s all for now!

Take care,





Delayed again 9


Due to [INSERT BELIEVABLE REASON HERE], the game has yet again been delayed until tomorrow. Sorry about that!


But since the last update, I have complete a few sprites and the tileset I have been working on for a couple of weeks. Currently, I’m working on another cutscene.


As I’m rather tired right now and don’t feel like writing anything else, I’ll just make this post worthwhile by showing some pixel art progress, right from the freshest tileset. To not spoil too much, we’ll stick to a 16 by 16 pixel tile, as usual.




Yes, it’s wood.


That’s all for now, hopefully this won’t spoil the ending.


Take care,



Delayed again 8

Hi again!


After several days of hard work the game is… NOT finished! In fact, I have to delay it until tomorrow. Though I have to say the progress with sprites and the tileset have been going really well.
To make up for this delay, I’ll present to you my first video game embroidery, which is based on Erwin in Langrisser II. I decided to make an embroidery after I some associates of mine were doing pearler beads based on pixel art. I wanted to do something similar, and somehow I stumbled across embroideries, which by cross-stitches creates squares like the pixels in pixel art.


To do it, I took a screenshot of the pixel art in question from the game using an emulator. Then I checked what colours I needed and bought yarns and a cloth. Then I started stitching. I did it at home, and at work when I walked around between the apartments of the seniors I took care of. I had the screenshot on my smartphone so I could check how to stitch anytime. A lot of elderly women were impressed and invited me to their homes to check their embroideries. And sometimes I got yarns and needles from them. I photographed my progress every day and put it on Facebook. After about four months, the embroidery was done, and I had it framed and bought a lamp to it. It is still hanging on my wall, four years later. The year after, I made another embroidery.


Here is my video presenting my very first video game embroidery:


But why did I pick Langrisser II as the game to base my embroidery on? We’ll talk about that another day…
Take care,



Delayed again 7

Hi again!


Yesterday, I was at the only true arcade of Stockholm, avoiding my responsibility of video game development like some kind of delinquent. Due to this morally wrong behaviour, the game has to be delayed until tomorrow. Sorry!


However, despite this, I did finish up not only a sprite today, but also its animation, which consists of 19 frames. Wow!


Anyway, the time at the arcade, which is called “HEY STHLM”, was nice. They had a lot of Sega games, such as OutRun 2 and Virtua Cop 3, which I played.



I have been there a few times before and beaten the Rambo game, also by Sega and based on the movies. Star Wars Racer, Tekken Tag, Pacman, Street Fighter 4 as well as 3 are also there. Then there are lots of weird “physical” games of overly cute Japanese themes, modern bullet hell shmups, pinball machines and other things..



It’s a great place and I am so happy to have it in Stockholm, because playing an arcade game cannot be compared to console games at home.

Take care,





Delayed again 6

Welcome back to the delayed again series, the blog which presents the ideal time scheduling of video game development!


Because I am applying to the Futuregames game design program this autumn (see below), the game has to be delayed until tomorrow. However, I have continued to work on the tileset, which is a promising progress!


After taking care of the elderly for about 12 years, I finally decided to apply to higher education video game development programs. Some schools I have applied to are in cities quite far from mine, Skövde and Malmö, but there are also some in Stockholm which I hope I will be accepted to. One of them is Futuregames, the school which I have most expectations of:



Last month, I was at a three week preparatory course there, which helped me understand the video game industry a bit more and to prepare a work sample. During these weeks, I made a simple Marble Madness clone in the Unreal Engine, a video about it and a design document about The Viking & The Ninja.

The Marble Madness clone used some blueprints, a visual scripting system of the Unreal Engine. The blueprints can be used for almost anything. In my case I made moving platforms (see video screenshot below), change of ball physics, killzones and other things.


My portfolio mostly showed the work I have done for WaterMelon, and so did also my curriculum vitae. The school put a lot of emphasis on past experiences, team work, visualization of your ability to design and the technical aspect. I’m not very skilled at the latter, but I hope my strengths in the other areas are enough to get accepted.


And two days ago, I managed to get to the second step of the selection progress. Out of around 500 applicants, I managed to be one of 130 to do a test in preparation for the final interview. The test was mostly about previous work, how to handle stress, team work etc. Things I am very used to. In a few days, I’ll know when the interview will be.  And in early July, I’ll know if I am accepted or not.


Take care,




Delayed again 5


The day before yesterday, I was at video game bar in Stockholm playing Nintendo LXIV with associates and strangers. It was fun! Due to this complete lack of discipline, the game has to been postponed again. I will try to be more disciplined from now on and focus on the development of the game.


Actually, I finished up a sprite yesterday. But for some reason, the game STILL isn’t done. Yeesh!


To make up for this delay, I’ll talk a bit about the item design of Pier Solar.

When I made the items, I wanted them to plentyful, varied and serve a purpose. I also wanted them to fit the setting and the place where they were located. Seeing as there are many towns in Pier Solar, I made unique weapons and armours for every town. I did a lot of research on Google for this task. For the equipment on the desert continent, I looked up old weapons and clothing used in Arabic countries, and for the mangrove jungle continent I looked up items used by natives of South America. As I love my heritage as a Nordic citizen, I made some homages to Norse mythology and some puns. In a town of thieves, I put a sword called “Steal Sword”, and there is also a book called “Meteoro Log”. I tried to have some humour, for example the item which decreases water type damage is the Towel, which can be found in a shower.


The characters had mostly exclusive weapons, but some, such as the Swordstick, could be used by both Hoston and Kruller as the former used swords and the latter rods. The armours were usually for either sex, sometimes both. The ultimate weapons and armours were exclusive to each character and were named after the best equipment in some fave RPGs of mine, as an homage. These could only be obtained if you completed sidequests. Because they were few and it was hard to put those in the end of the game, I came up with the solution of the item called Master Key, which you could find at various places throughout the game, mostly at optional caves. With the Master Keys you could find eight of the best armours and weapons at the end of the game, and the last ultimate weapon and armour could be found at the end of the multi-part sidequest also at that part of the game.


The uses of the items were often inspired by other 16-bit RPGs. Their abilities were very varied and brought a lot more to the table than just changing the stats of the characters: For example: decrease this elemental damages, make character faster, 100% chance to escape, half MP usage, heal HP and many other things.  But the stats were important – I didn’t want the items to just add attack or defence when you came to a new town, so I fiddled a bit with other stats as well so the player could think a bit before actually purchasing – sometimes skipping a weapon might be the better option.

I had many ideas for usages and Fonzie programmed most of them and came up with some other ideas, such as the books which teach spells. One book I made, I managed to integrate into the story a bit: the Nurse Notes for Alina, a book given to the party by the missing doctor at the end of the game, which resurrects dead characters.  I won’t spoil anything, but the dialogue when you get it fits the story like a glove. Other than that, there were also some story items which served no other purpose than pushing the plot forward.


When the items were done, I used a tool to put them into the game, give them the icon they needed, stats, price (in shops), select who could equip the and their abilities. I also updated Fonzie’s icons to make sure no item looked like any other. Of nearly 250 items, they were all unique in both look and ability, though some were quite similar.


And when this was done, I made the shops, which was simply adding all the item numbers to a string and a set price level. I also placed the chests in the game. Seeing as it was I who made the items, these last two tasks was something only I could do, I think. If you are wondering why there are so many herbs in the game, it’s because it was the standard item which I changed when I wanted something else in a chest. Which I most often wanted, naturally.


That’s all for now!

Take care,





Delayed again 2



Even more events I couldn’t do anything to prevent and which hindered the development forced me to delay the game again. My apologies!


But! I managed to finish up the sprite I was working on today. I also continued with the graphics pack.


I was going to compensate this lacking update with some more Pier Solar development talk, but since I’m hungry I’ll go play Super Mario 64 instead. My apologies again!



Take care,